Georg Friedrich Händel (1685-1759)

Données de base

Type de notice: PersonneNom et dates: Georg Friedrich Händel (1685-1759)Lieu de naissance: Halle (Allemagne)Lieu de décès: LondresBibliothèque nationale de France: Notice no 13987321, https://catalogue.bnf.fr/ark:/12148/cb139873218ISNI: Notice no 0000000122759702, https://isni.org/isni/0000000122759702Source: Catalogue général de la Bibliothèque nationale de France

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Remarques et validité

Remarque du Catalogue général de la Bibliothèque nationale de France:
Compositeur.

Mentions dans d'autres contenus

Auteur d'oeuvres:
"A song. The music by Mr. Handel. 1745" [pour une voix et basse continue]
"A voi torno", à 1 voix et basse continue
"Admetus, an opera... 1727" (1731?)
"Ah, che pur troppo" pour 1 voix et basse continue
"Alexander", an opera... (1726)
"Allor ch'io dissi" pour 1 voix et basse continue
"Almira. Copié sur une copie de la main de Matheson qui est à la bibliothèque de Berlin". Opéra en 3 actes. Texte allemand
"An answer to Collins Complaint, the tune by Mr. Hendell. 1716" [pour une voix ou flute sans accompagnement]
"Angelico splendor rischiavi". Air à 1 voix, 2 instruments et basse continue
"Aria Dindel" [sic]. [Air mit Variationen : extrait de füfte suite in E dur] (18)
"Aure soavi e lieti", cantate à 1 voix et basse continue
"Ave Maris Stella, musique tirée de l'Oratorio du Messie... arrangée par M. L. Roze..." Chœur à 4 voix et basse continue
"Cantata "Bella ma ritrosetta". de Handel" suivi de "Oh quanto godo", à 1 voix et basse continue
"Cantata "Fra le fiamme", à 1 voix et basse continue, avec instruments
"Cantata 23. Lilla, vedi quel colle" pour 1 voix et basse continue
"Cantata 9na Olinto, pastore. - Febro, fiume. - Gloria" pour 1 voix et basse continue avec instruments
"Cantata : "Parti l'idolo mio", à 1 voix et basse continue
"Cantata : Del bell'Idolo mio", à 1 voix et basse continue
"Cantata a due. Apollo e Dafne", à 2 voix avec instruments
"Cantata a Voce sola con Oboe". Avec basse continue : "Mi palpita il cor"
"Cantata a voce solo con Stromenti"
"Cantata Amindo e Fillide "Arresta, arresta il passo, Ninfa". With accompaniments
"Cantata dei Fedel" à 1 voix et basse continue avec instruments
"Cantata Del Signor Frederico Hendel." A 1 voix et basse continue
"Cantata Spagnuola, a voce Sola e chitarra"
"Cantata. "Siete rose ruggiadose", pour 1 voix et basse continue
"Cantata. - Nell'africane selve", à 1 voix et basse continue
"Capricio Pour le Clavecin, composée [sic] Par Monsieur Hendel. Opera terza"
"Cara di questo cor". Air à 1 voix, 3 instruments et basse continue
"Chi rapila pace", cantate à 1 voix et basse continue
"Chor der Jünger" de Saul
"Clori Degl'occhi miei", Cantate à 1 voix et basse continue. [HWV 91]
"Clori, clori, ove sei ?", cantate à 1 voix et basse continue. [HWV 93]
"Collection d'airs de psaumes à l'usage de l'Eglise anglaise par William Cross. Psalm 104. Handel"
"Con lacrime si belle". Air à 1 voix, 2 instruments et basse continue
"Con lacrime si belle". Air à 1 voix, 3 instruments et basse continue
"Concerto I[-VI] par Handel", pour orgue et orchestre. Op. 4
"Da sete ardente" Cantata à 1 voix et basse continue
"Dalla guerra amoroso" cantate à 1 voix et basse continue
"Dite mie piante", cantate à 1 voix et basse continue
"Dixit Dominus - et Gloria." Pour soli, chœur et orchestre
"Dolce bocca soave in te nasce". Récitatif extrait de la cantate "Siete rose rugiadose"
"Dolce pur d'amor", Cantate à 1 voix et basse continue. [HWV 109]
"E gia stanca l'alma". Air à 1 voix, 3 instruments et basse continue
"E gia stanca val". Air à 1 voix, 2 instruments et basse continue
"E partirai mia vita ?" cantate à 1 voix et basse continue. [HWV 111]
"Fantasie Pour le Clavecin, composée Par Monsieur Hendel, Opera quinta"
"Fear he re doubles" set to musick by Mr. Handell [pour deux voix sans accompagnement] (1762)
"Figli del mesto cor" Cantate à 1 voix et basse continue
"For ever let his sacred praise". Chœur à 4 voix
"Foundling hospital Anthem" pour soli, chœur et orchestre
"Fra tante pene", Cantate à 1 voix et basse continue
"Fugues de Handel" et variations pour clavecin tirées d'œuvres diverses
"Genserico. Fragments d'un Opera qui ne fut jamais achevé, copiés sur les originaux de Handel qui sont à Fitzwilliam Museum de Cambridge…
"German Cantatas transcribed and corrected from the original ms. by M. Rophins Lacy"
"Grands Concertos par G. F. Handel". 12 Concerti grossi op. 6, pour cordes
"Haendel Judas Macchabœus - Oratorium. Bibliothèque de Mr. Choron"
"Haendel's Oratorio Israel in Egypt, the vocal-parts arranged for the Orgue-expressif or for a 2d Pianoforte... by the Chevalier Sigismond…
"Hallelujah amen". Air à 1 voix et basse continue
"Handels Forest Music"
"Hope, hope a pure and lasting treasure". Air à 1 voix, 1 instrument et basse continue
"Hunting song" [à 1 voix et basse continue]
"Impari d'el mio core". Air à 1 voix et basse continue
"Instrumentation du Chœur Left up your gats. Page 118. Transcribed from Handel's Original Manuscript By M. Rophino Lacy"
"Intonuit de Coelo Dominus. Mottetto a 4° con stromenti, di Giorgio Federico Händel. Dall' Inglese tradotto da Fortunato Santini".… (1)
"Irene idolo mio" cantate à 1 voix et basse continue
"Judas Macchabée, Oratorio"
"Knaresborough, extrait de Choral Harmony par the Reverend Peter Maurice" [chœur à 4 voix]
"La Bianca rosa. Cantata". A 1 voix et basse continue
"La Bianca rosa. Cantata". A 1 voix et basse continue
"La Solitudine. Cantata." A 1 voix et basse continue
"Laboravi in gemita. Mottetto a 4. con Violini e Viola, di Giorgio Federico Händel, tradotto dal Inglese da Fortunato Santini". Avec… (1)
"Larghetto de Saül" de Händel (orgue)
"Laudate Pueri" pour soli, chœur et orchestre
"Le Messie" [de Haendel]
"Le messie, handel N° 2"
"Le Messie. n° 18. Solo pour Soprano". Avec piano
"Lungi dal mio bel nume, Cantato a voce sola Del Sig.r Giorgio Federico Hendel...". [HWV 127]
"Lungi, da voi Siete" cantate à 1 voix et basse continue
"Lungi, lungi, da me" cantate à 1 voix et basse continue. [HWV 125]
"Lungi, lungi, n'ando Fileno" cantate à 1 voix et basse continue
"Manca pur quanto sai" cantate à 1 voix et basse continue
"Marche" [pour 3 instruments]
"Melodio : Befiehl du deine Wege. A German church tune, comp. by Hasler"
"Messe entière tirée de l'Oratorio du Messie... arrangée par M. L. Roze"
"Mi palpita il cor" Cantate à 1 voix et basse continue
"Mi palpita il cor" Cantate à 1 voix et basse continue
"Mi palpita il cor" Cantate à 1 voix et basse continue
"Mi palpita il cor" pour 1 voix et basse continue, avec instruments
"Mi ri do di veder". Air à 1 voix et basse continue
"Minzognere, speranza", Cantate à 1 voix et basse continue
"Motetto : Silete venti" pour une voix, hautbois, 2 violon, alto et basse continue
"Mottet p.r le jour de Noël. Extrait du Messie de haendel". Chœur à 4 voix
"Musette" [pour 5 instruments]
"My God my Soul" pour 1 voix et basse continue, avec instruments, faisant suite à : "The Foundling hospital Anthem"
"Ne tuoi lumi, O bella", Cantate à 1 voix et basse continue
"Nel dolce tempo" Cantate à 1 voix et basse continue
"Nel passar d'un laccio". Air à 1 voix
"Nella stagion", Cantate à 1 voix et basse continue
"Nice, che fa ?". Cantate à 1 voix et basse continue
"Non sò se avrai ma bene", cantate à 1 voix et basse continue
"Non sospirar", Cantate à 1 voix et basse continue
"O Lucenti ô Sereni occhi", Cantate à 1 voix et basse continue
"O, Del Ciel Maria Regina", Cantate à 1 voix et basse continue, avec instruments
"Occhi miei", cantate à 1 voix et basse continue
"Opera of Siroe..." (1732?)
"Ouverture de Samson", oratorio
"Overtura o vero Minuetto del signor Handel a sei stromenti, due violini, due, corni, alta tenora e basso"
"Palma se la palma vuol aver". Air à 1 voix, 3 instruments et basse continue
"Pastor fido"
"Pensieri notturni di Filli. Cantata 8a a voce Sola con flauto di G. F. Hendel" avec basse continue
"Per l'Auvento. Veni Domine et noli tardare. Antifona a 3. C. T. e B., di Giorgio Federico Händel. Dell'inglese tradotta da Fortanato… (1)
"Poi che guiraro", Cantate à 1 voix et basse continue
"Preludio et Allegro Pour le Clavecin, Composée [sic] Par Monsieur Hendel, Opera quarta"
"Put thy trust in God" pour chœur et orchestre, en partition, faisant suite à : "The Foundling hospital Anthem"
"Qual or, Grudele si", Cantate à 1 voix et basse continue
"Qual'or l'egre pupille" Cantate à 1 voix et basse continue
"Radamistus", an opera as it is perform'd at the theatre royal in Covent Garden... (1762?)
"Richard I", an opera... (1730?)
"Ritorna adesso amor". Air à 1 voix, 4 instruments et basse continue extr. de l'acte II, scène XI de "Pastor fido"
"Roderigo, opera in 3 atti"
"Salve Regina a Canto solo con Violini, del Sig.r G. F. Hendel"
"Samson", Oratorio. "N° 14. Air et chœur" avec accompagnement d'orchestre. "Haendel"
"Samson. Oratorio de Haendel, arrangé" par S. Neukomm "pour orgue et Pianoforte d'après l'édition de Novello..." (19)
"Sarai contenta undi", Cantate à 1 voix et basse continue
"Sarei troppo felice", Cantate à 1 voix et basse continue
"Se d'amore amanti siete". Air à 1 voix, 4 instruments et basse continue
"Se pari è la tua" Cantate à 1 voix et basse continue
"Se vicor dar ten vuoi". Air à 1 voix, 3 instruments et basse continue
"Se, per fatal destino", Cantate à 1 voix et basse continue
"Second morning. Psalm 57, supposed to be Handel's"
"Sinfonia de Saül" de Händel (orgue)
"Sinfonia della Cantata" Ah, Crudel. "Composta a Roma per il Sig.r Marchese Ruspoli. Da G. F. Handel. Transcr. & corrected from…
"Siroe opera 1728. Del Sig.re G. F. Handel"
"Son gelsomino" Cantate à 1 voix et basse continue
"Sonata Pour le clavecin. Composée par Monsieur Hendel. Opera seconda"
"Stelle perfide", Cantate à 1 voix et basse continue
"Te Deum Par G. fr. Haendel. N° 1" en ré majeur, dit d'Utrecht
"The Dream. The Music by Mr. Handel. 1730" [pour voix ou flute et basse continue]
"The Messiah, with an additional Organ-accompaniment, containing all the vocal parts... by the Chevalier Sigismond Neukomm"
"The people will tell" pour 2 voix et basse continue, avec instruments, en partition, extrait de : "The Foundling hospital Anthem"
"The righteous Lord" pour 1 voix et basse continue avec instruments, en partition, faisant suite à : "The Foundling hospital Anthem…
"Their reward also" pour 2 voix et Basse Continue, avec instruments, en partition, extrait de "The Foundling hospital Anthem"
"Torna il core", Cantate à 1 voix et basse continue
"Trio pour Piano, violon et violoncelle Par A. Colblain de Judas Macchabée. N° 1 Air de Haendel"
"Udite il mio consiglio", Cantate à 1 voix et basse continue
"Un sospir", Cantate à 1 voix et basse continue
"Vedendo amor", Cantate à 1 voix et basse continue
"Vonne voglia ad amore" Cantate à 1 voix et basse continue
"Zeffiretto, arresta" Cantate à 1 voix et basse continue
// Airs extraits de Jupiter in Argos //
2 extraits de British Musical Miscellany (1735)
2d book Apollo's feast or the harmony of the Opera stage being a well chosen collection of the favourite and most celebrated songs out of the… (1734?)
3 Pièces de clavecin
3d book. Apollo's feast or the harmony of the opera stage being a well chosen collection of the favourite and most celebrated songs out of the… (1729)
A 2d collection of the favourite songs in the opera of Tamerlane (1725?)
A 2d collection of the most celebrated songs in the opera of Alexander... (1726)
A collection of the most admired songs, duetts, & trios, in score also for the piano-forte or harpsichord particularly selected for the use of… (1726?)
A collection of the most celebrated songs in the opera of Alexander... (1726)
A concerto for the organ, harpsichord or piano forte... Ist set, n° 4 (1800?)
A Favorite ground with variations for the piano forte... (1800?)
A favourite song set by Mr. Handell [pour une voix ou flute et basse] (1762)
A fourth Grand Selection of sacred music from the works of Handel... (1795)
A fourth set of favourite bass songs collected from the late oratorios... These songs are proper for two violoncellos... (1769)
A fourth set of six grand chorusses from Mr Handel's oratorios adapted for the organ or harpsichord [vol. IV] (1785)
A grand collection of celebrated english songs introduced in the late oratorios... (1758)
A grand Jubilate composed in the year 1713 for the peace of Utrecht... (1788)
A grand selection from the works of Handel, Purcell, Arne, Linley, Webbe, Mozart, etc. now performing at the King's Theatre in the Hay-Market… (1793)
A grand selection of sacred music from the creation, Saul, Jephtha, Judas Maccabaeus, Esther, Israel in Egypt and the Redemption... (1811)
A grand selection of sacred music from the most favorite works of Handel, Haydn, Bach, Arne, and Purcell... (1803)
A grand selection of sacred music from the works of Handel as performed at the Theatre Royal, Covent Garden [Livret] (1798)
A grand selection of sacred music from the works of Handel as performed... at the Theatre Royal, Covent-Garden [Livret] (1795)
A grand selection of sacred music from the works of Handel as performed... at the Theatre Royal, Covent-Garden [Livret] (1796)
A grand selection of sacred music from the works of Handel as performed... at the Theatre Royal, Covent-Garden [Livret] (1797)
A grand selection of sacred music from the works of Handel as performed... at the Theatre Royal, Covent-Garden [Livret] (1797)
A grand selection of sacred music, in which will be introduced the Grand Dettingen Te Deum... and a grand Miscellaneous act chiefly from the most… (1801)
A grand selection of sacred music, principally from the works of Handel [Livret] (1792)
A great Te Deum composed in the year 1713 for the peace of Utrech... (1788)
A hunting song for 2 voices or german flutes... (1750?)
A new edition of Handel's concerto for the organ or harpsichord (1800?)
A new edition of six concertos for the harpsichord or organ... (1776)
A new edition of six concertos for the harpsichord or organ... (1785?)
A new grand selection of sacred music principal by selected from the great and favourite works of Mr Handel... [Livret] (1802)
A new occasional oratorio... (1746)
A performance of musick, for the benefit of the hospital for the maintenance and education of exposed and deserted young children, on Thursday the… (1749)
A second collection of the favourite songs in the opera of Julius Caesar (1724)
A second collection of the most favourite songs in the opera call'd Ariadne, n° IV... (1735?)
A second collection of the most favourite songs in the opera call'd Sosarmes... (1732)
A second set of favourite bass songs collected from the late oratorios... These songs are proper for two violoncellos... (1747)
A Second set of lessons for the harpsichord... (1798?)
A Second set of six concertos for the harpsichord or organ... (1740)
A second set of six concertos in score for the organ or harpsichord with accompagnyments for two violins, two hoboys, viola & violoncello... (1793?)
A second set of XXIV Overtures for violins etc. in eight parts from the operas and oratorios of Samson, Messiah, Saul, Deidamia, Hymen, Parnasso in… (1758?)
A second [sic, pr third] collection of the favourite songs in the opera call'd Julius Caesar (1724?)
A short Te Deum in score composed for her late Majesty queen Caroline in the year 1737... (1788)
A song by Mr Hendell in the Yearly subscription or the Harmonious entertainment (1720?)
A song made for the Gentleman Volunteers of the // City of London. Set to Musick by Mr. Handel (1745?)
A song made for the gentlemen volunteers of the City of London set to musick by Mr. Handel [pour une voix et basse]
A song made for the Gentlemen volunteers of the City of London... (1745)
A song on the victory over the Rebels by his royal Highness the Duke of Cumberland. The words by M. Lockman... (1750?)
A third set of lessons for the harpsichord... (1793?)
A third set of six concertos for the harpsichord or organ... (1761)
A third set of six concertos for the organ and harpsichord with the instrumental parts for violins, hoboys etc. in 7 parts... opera 7ma (1785?)
A third set of six concertos for the organ and harpsichord with the instrumental parts for violins, hoboys etc. in 7 parts... opera 7ma... (1761)
Acis an Galatea, a serenata composed for the Duke of Chandos in the year 1720... (1788)
Acis and Galatea for a flute containing the songs and symphonys curiously transpos'd and fitted to the flute in a compleat manner. The whole… (1724?)
Acis and Galatea [ouverture pour pf] (1800?)
Acis and Galatea [overture pr pf.] (1800?)
Acis and Galatea, a mask as it was originally compos'd with the overture, recitativo's, songs, duets & choruses for voices and… (1743)
Acis and Galatea, a mask as it was originally compos'd with the overture, recitativo's, songs, duets & choruses for voices and… (1787?)
Acis and Galatea, a masque... for the voice, harpsichord, and violin... (1784)
Acis and Galatea, a serenade with the recitatives, songs & symphonys... (1739)
Acis and Galatea. A serenata written by Gay, composed... in 1720... Arrang. with the vocal parts complete and an accompaniment for the organ or… (1720)
Acis and Galatea... (1732)
Acis and Galatea... (1733)
Acis and Galatea... (1755)
Acis and Galatea... (1757)
Acis and Galatea... (1762)
Acis and Galatea... (1764)
Acis and Galatea... (1764)
Acis and Galatea... (1768)
Acis and Galatea... (1773)
Acis and Galatea... (1785)
Acis and Galatea... (1787)
Acis and Galatea... for the piano forte with the chorus's in score (1800?)
Admeto, re di Tessaglia... (1727)
Admeto, re di Tessaglia... (1731)
Admetus for a flute, the ariets with their symphonys for a single flute and the duet for two flutes of that celebrated opera... (1727)
Admetus, an opera compos'd by Mr Handel (1727)
Agrippina, opera in tre atti rappresentata al teatro di Venizzia nell'anno 1709. La musica del Sig.r G. F. Handel (1795?)
Agrippina... (1729)
Air d'Handel // Dove Sei Amato bene (1800?-1830?)
Air de Scipion de Handel (1800?-1830?)
Alcides, an English opera in score... (1790?)
Alcina, an opera as it is perform'd at the theatre royal in Covent garden... (1737)
Alcina, an opera as it is perform'd at the theatre royal in Covent garden... (1737)
Alcina, an opera at it is perform'd at the Theatre Royal in Covent Garden." 1735" Compos'd by Mr Handel (1737)
Alcina... (1735)
Alcina... (1736)
Alessandro nelle Indie... (1779)
Alessandro Severo... (1738)
Alessandro... (1726)
Alessandro... (1732)
Alexander Balus, an oratorio in score composed in the year 1747... (1795?)
Alexander Balus, an oratorio... (1748)
Alexander Balus... (1748-1768)
Alexander for a flute, the ariets with their symphonys for a single flute and the duet for two flutes of that celebrated opera... (1726)
Alexander's feast or the power of music, an ode, the words by Mr Dryden..., to which is added his additional duet (1790?)
Alexander's feast or the power of musick. An ode, wrote in honour of St Cecilia by Mr Dryden..., with the recitativo's, songs, symphonys… (1739)
Alexander's feast or the power of musick. An ode, wrote in honour of St Cecilia by Mr Dryden..., with the recitativo's, songs, symphonys… (1769)
Alexander's feast or the power of musick. An ode, wrote in honour of St Cecilia by Mr Dryden..., with the recitativo's, songs, symphonys… (1738)
Alexander's Feast, an oratorio... for the voice, harpsichord and violin with choruses in score (1784)
Alexander's feast. An ode on Saint Cecilias day... composed in the year 1736... Arrang. with the vocal parts complete & an accompaniment for…
Alexander's feast. An ode on St Cecilia's day, , words by Dryden, the musick composed in the year 1736... (1790)
Alexander's Feast. Overture [pour pf] (1800?)
Alexander's Feast... (1736-1870)
Alexander's Feast... (1738-1866)
Alleluia d'Handel (1820?-1831?)
Alleluia du Messie. Instrumentation de Mozart
Alleluia du Messies. Chœur et piano
Amadis of Gaul : an opera (1715)
Amadis of Gaul... (1715)
An additional recitative and duett... and introduced in Alexander's feast never before published (1790?)
An Ode or Serenata for the birth day of Queen Ann composed in the year 1713... (1789)
Analyse de l'opera "Lothario"
Analyse de l'opera Tolomeo, re d'Egitto
Angels ever bright & fair, sung by Mme Mara and Mrs Billington, [air à 1 v. & b. extrait de Theodora] (1800?)
Anthem "as pants the hart" etc. composed for the Chapel of the Duke of Chandos... for the voice, harpsichord and violin with the chorusses… (1785)
Anthem for the Coronation of George II.d composed in the year 1727... (1795?)
Anthem for the Coronation of George II.d composed in the year 1727... (1795?)
Anthem for the Coronation of George II.d composed in the year 1727... (1796?)
Anthem for the Coronation of George IId composed in the year 1727 by G. F. Handel (1789-1797?)
Anthem for the coronation of George IId composed in the year 1727... (1795?)
Anthem for the Coronation of George IId, composed in the year 1727 by G. F. Handel (1789-1797?)
Anthem for the Coronation of George IId, composed in the year 1727 by G. F. Handel (1789-1797?)
Anthem for the Funeral of Queen Caroline composed in the year 1737... (1795?)
Anthem for the Victory at Dattingen. Composed in the year 1743. By G. F. Handel (1743)
Anthem for the victory at Dettingen composed in the year 1743... (1795?)
Anthem for the Wedding of Frederick Prince of Wales and the Princess of Saxa-Gotha, compos'd in the year 1736... (1795)
Anthem in score composed at Cannons for his grace the duke of Chandos between the years 1718 and 1720... (1790?)
Anthem in score performed at the Chapel Royal St James at the marriage of His Royal Highness George Prince of Wales and Her Royal Highness Caroline,… (1795)
Anthem. For the victory at Dettingen. Composed in the year, 1743, by G. F. Handel. [Pour soli, choeur à 5 voix et orchestre] (1750?)
Anthems, for the coronation of King George II, composed in the year 1727, by G. F. Handel. In this edition the vocal parts are given complete and the… (1727)
Antifona di M.r Handel // Introduzione (1737?-1800?)
Apollo's feast or the Harmony of the opera stage being a well chosen collection of the favourite & most celebrated Songs out of the latest… (1726)
Apollo's feast or the harmony of the opera stage being a well chosen collection of the favourite and most celebrated songs out of latest operas… (1734)
Apollo's feast or the harmony of the opera stage being a well chosen collection of the favourite and most celebrated songs out of the latest… (1734)
Apollo's feast... Vol. V (1740)
Appolo's feast or the harmony of the opera stage being a well chosen collection of the favourite and most celebrated songs out of the latest… (1750?)
Arbace... (1733)
Aria // Dove Sei amato bene // Del Sig.r // Handel (1780?-1820?)
Aria del Sig.r Hendel (1721?-1760?)
Ariadne in Crete... (1733)
Ariadne in Crete... (1734)
Ariadne in Crete... (1734)
Ariadne, an opera as it is perform'd at the Theatre royal in Covent Garden... (1737)
Arie aggiunte di Radamisto, opera rapresentata nel regio teatro d'Hay-Market... (1721)
Arie dell'opera di Rinaldo (1711)
Arie dell'opera di Rinaldo (1711)
Ariodante... (1734)
Arm, arm ye brave [extrait de Judas. Air pr 1 v. & b.] (1800?)
Arminius, an opera as it is perform'd at the theatre royal in Covent Garden... (1737)
Arminius... (1737)
Atalanta, an opera as it is perform'd at the theatre royal in Covent Garden... (1736)
Atalanta... (1736)
Athalia, an oratorio or sacred drama in score, the music composed in the year 1733... (1787)
Athalia... (1756-1822)
Ave Maris Stella // Musique tirée de l'oratorio du Messie // du Cèlèbre Handel // Arrangée par // M. L. Roze // 1816 (1816)
Bass songs from all the opera [3e partie] (1754)
Bass songs from all the operas (1743)
Belshazzar a sacred oratorio in score composed in the year 1743... (1787)
Belshazzar, an oratorio in score... (1783)
Belshazzar, an oratorio... (1745)
Belshazzar... (1745-1851)
Berenice, an opera as it is perform'd at the theatre royal in Covent Garden... (1737)
But thou didst not [air à 1 v. & b. extrait du Messie] (1800?)
But who may abide the day of his coming [air à 1 v. & bc.], in the Messiah... (1800?)
Cantata, sung by sigr. Aragoni [i. e. Arrigoni] (1738?-1743?)
Cantates à 1 voix avec instruments et basse continue
Cantates, pour 1 voix, avec instruments
Catalogue ms. des œuvres de Haendel conservées à l'Archivio del Palazzo Pitti de Florence
Cavatina // Ombre piante urne funeste // del Signor // Handel (1780?-1800?)
Celebrated concerto call'd select harmony, adapted for the harpsichord or piano-forte perform'd before their Majesty's at the ancient… (1790?)
Celebrated coronation anthem set for the voice and harpsichord in a manner never before printed (1775?)
Celebrated coronation anthems in score for voices & instruments. Vol. I (1743)
Celebrated Dettingen Te Deum for voices and instruments (1795?)
Celebrated oboe concertos as performed in Westminster abbey at the commemoration adapted for the organ, harpsichord or piano-forte (1785?)
Celebrated Water musick compleat set for the harpsicord to which is added two favourite minuets with variations for the harpsichord by Geminiani (1743)
Charming Cloris set by Mr. Handel [pour une voix et basse] (1737)
Choeur // du Messie d'Handel (1790?-1840?)
Choeur // du Messie de Handel (1742?-1800?)
Choeur d'Handel (1800?-1820?)
Choeur de Judas Machabée d'Handel (1800?-1820?)
Choeurs d'Handel // Judas Machabée (1800?-1830?)
Clio and Euterpe or British Harmony... (1772)
Come come thou Goddess. A favourite song by Handel in l'Allegro (1800?)
Come thou Goddess with an accompaniment for the piano forte from l'Allegro, il Penseroso... (1800?)
Comfort ye my people [air à 1 v. & b. extrait du Messie] (1800?)
Comfort ye my people... [extrait du Messie. Air pr 1 v. & b.] (1800?)
Concertante in nine parts for two violins and a violoncello obligati composed in the year 1738... (1791?)
Concerti grossi con due violini e violoncello di concertino obligati e due altri violini, viola e basso di concerto grosso ad arbitrio... Opera terza (1734)
Concerti grossi con due violini e violoncello di concertino obligati e due altri violini, viola e basso di concerto grosso ad arbitrio... Opera terza (1752?)
Concertos (commonly called the hautboy concertos) for two violins, two hautboys, two german flutes, two tenors, two bassons, two violoncellos and a… (1796?)
Concertos etc. for the organ in score non first published 1797... (1797)
Consider fond shepherd [air pour 1 voix & bc, extrait de Acis et Galatea] (1800?)
Cori // dei Macchabei e di Samson // D'Hendel (1737?-1780?)
Coro N° 1 // Nella Resurrezione oratorio Sacro // Composto da // G. F. Handel (1810?-1840?)
Coronation Anthem... (1784)
Coronation Anthem... for the voice, harpsichord or pianoforte... (1800?)
Cœlia altogether set by Mr. Handel [pour une voix et basse continue] (1746)
Dans les [sic] Concerto Handel // Londres // hornpipe (1770?-1800?)
Dead march in Saul (1800?)
Dead March in Saul and March in Scipio for the piano forte or harpsichord (1800?)
Dead March in Saul and March in Scipion [pr pf.] (1800?)
Dead march in Saul [réduction pr pf.] (1784?)
Deborah, a sacred oratorio in score composed in the year 1733... (1794?)
Deborah, an oratorio... (1751?)
Deborah... (1744-1854)
Deeper and deeper still as, sung by Mr Harrison, Mr Braham & Mr Incledon, in the oratorios at the Theatre Royal Covent Garden... [pr 1 v. & b… (1800?)
Deidamia, an opera... (1741)
Deidamia... (1741)
Deux Cantates à 1 voix et instruments
Deux menuets et une gavotte (1720?-1780?)
Dove sei amato bene vieni l'alma (1800?)
Dove sei, a favorite song from the opera of Rodelinda... also as sung in Redemption adapted to English words Holy, holy (1790?)
Dryden's ode on St Cecilia's day... (1784)
Duetti del Sig.r Hendel che vanno stampati in Londra fol. (1776?-1780?)
Duetto con Stromenti // Del Sig.r Giorgio Federico Hendel (1725?-1790?)
Duetto sung by Sig.r Cafferelli & Sig.ra Luchesina in Faramondo // Handel (1790?-1810?)
Duos (1747?-1780?)
Eight Anthems composed by G. F. Handel esq., as performed at the Chapel Royal Windsor and at His Majesty's Concerts..., arranged for voices with… (1808)
Eight grand chorusses... oratorio of the Messiah, adapted for the organ, harpsichord and voice... (1800?)
Eight select overtures from oratorios... [réduction pr pf.] (1798)
Empfindungen am Grabe Jesu (1750?-1820?)
Empfindungen am Grabe Jesu. Ein Oratorium, von G. F. Händel (1805?)
Esther, a sacred oratorio in score composed in the year 1720... (1794?)
Esther, an oratorio in score... (1783)
Esther, an oratorio in score... for the voice, harpsichord and violin (1785?)
Esther, an oratorio... (1751?)
Esther... (1732-1851)
Étrennes dansantes, ou Recueil des airs ; et description des meilleures figures & des plus jolies contredanses, avec des couplets sur chaque air… (1762)
European Magazine and London review... (1784)
Ev'ry valley [air à 1 v. & b. extrait du Messie] (1800?)
Every day will I give thanks as, sung by Mr Incledon, at the Oratorios... [pour 1 voix & b] (1800?)
Extraits du Messie (1790?-1840?)
Ezio... (1732)
Ezio... (1764-1765)
Faramondo, an opera as it is perform'd at the King's theatre in the Hay-Market... (1738)
Father of heaven... [pr 1 v. & b. extrait de Judas] (1800?)
Fire and Water music... for the german flute (1786?)
Flavio re de Longobardi... (1732)
Flavio, re de Longobardi... (1723)
Flavius for a flute, the ariets with their symphonys for a single flute and the duets for two flutes of that celebrated opera... (1723)
Flavius, an opera as it was perform'd at the King's theatre for the Royal Academy... Publish'd by the author (1723)
Floridant for a flute, the ariets with their symphonys for a single flute and the duets for two flutes of that celebrated opera... (1722)
Floridant, an opera as it was perform'd at the Kings theatre for the Royal academy... publish'd by the author (1722)
For unto us a child is born [tiré du] Messiah [pr 1 v. & b.] (1800?)
From mighty kings [pr 1 v. & b. extrait de Judas] (1800?)
Fuga // Messias, Haendel (1790?-1820?)
Fugue d'Händel (1790?-1820?)
Fugue [sic] pour clavecin ou forte pianocomposés [sic] par G. F. Handel
Funeral Anthem... (1741)
Gentle airs, a favorite song [extrait d'Athalia et Total eclipse, extrait de Samson]... (1790?)
Gentleman's Magazine... (1732-1733)
Gideon // an // Oratorio (1769?)
Giulio Cesare e Cleopatra... (1733)
Giulio Cesare in Egitto... (1724)
Giulio Cesare in Egitto... (1787)
Giulio Cesare, opera in tre atti rappresentata al teatro del Re nel mercato del fieno a Londra nell'anno 1723... (1789)
Glory to God in the highest... [extrait du Messie, pr 1 v. & b.] (1800?)
God of our father [extrait de Samson pr 1 v. & b.] (1800?)
Grand Dettingen Te Deum in score for voices and instruments as performed at the Cathedral-Church of St Paul, vol. IV (1763)
Grand Dettingen Te Deum in score for voices and instruments as performed at the Cathedral-Church of St Paul, vol. IV (1769)
Grand Dieu, dont l'empire infini // Choeur de Judas Machabé. D'Handel (1757?-1800?)
Guardian Angels set by Mr. Handel [pour une voix ou flute et clavier] (1745)
Guida // Maccabeo (1810?-1849?)
Haendel's favourite minuets from his operas & oratorios with those made for the balls of court for the harpsichord, german flute, violin or… (1762)
Haendel's songs selected from his latest oratorios for concerts for violins etc. in six parts. The song parts with the words for a voice, a… (1759)
Hallelujah chorus [extrait du Messie, pr v. & b.]... (1800?)
Händel // Oster Quartal Stück // aus dem Messias // Anno 1777 // 85 (1777?-1785?)
Handel's Celebrated Coronation Anthems in score for voices & instruments. Vol. I (1770?)
Handel's celebrated Messiah, abridged and adapted for the piano forte with an accompaniment for a flute or violin, by J. Mazzinghi (1802)
Handel's celebrated water musick compleat set for the harpsicord to which is added two favourite minuets... (1740)
Händel's Coronation anthem, Zadock the priest, composed in the year 1727, with a separate accompaniment for the organ or piano forte by Vincent…
Handel's most celebrated aires, collected from his late operas with their symphonys & accompanyments : made concertos for violins etc. in… (1736)
Handel's Operas for the flute... [2 vol.] (1730-1736)
Handel's Oratorio "Judas Maccabaeus" (composed in the year 1746). In vocal score with separate accomp. for the organ or pf. arranged…
Handel's Oratorio Israel in Egypt (composed in the year 1738). In vocal score with separate accomp. for the organ or pf. arranged by Vincent…
Handel's oratorio Jephtha, (composed in the year 1751). In vocal score, with a separate accomp. for the organ... arrang. by Vincent Novello
Händel's Oratorium der Messias im Clavierauszuge von C. F. G. Schwencke mit deutschen Texte von Klopstock und Ebeling (1809)
Händel's Oratorium der Messias im Clavierauszuge von C. F. G. Schwencke, mit deutschem Texte von Klopstock und Ebeling (1809)
Handel's overtures from all his operas & oratorios for violins & in 8 parts... (1760)
Handel's overtures from all his operas & oratorios for violins in four parts... (1785?)
Handel's overtures from all his operas and oratorios set for the harpsicord or organ... (1760)
Handel's overtures in score from all his operas and oratorios... (1740)
Handel's sixty overtures from all his operas & oratorio for violins in 8 parts... (1758?)
Handel's songs selected from his latest oratorios for the harpsichord, voice, hoboy or german flute... [vol. 3] (1769?)
Handel's songs selected from his most celebrated operas for concerts, for violins & in six parts. The song part with the words, for a voice… (1761)
Handel's songs selected from his most celebrated operas for the harpsichord, voice, hoboy, or german flute. Vol. I (1761)
Handel's songs selected from his oratorios for the harpsichord, voice, hoboy or german flute (1755-1759)
Handel's songs selected from his oratorios for the harpsichord, voice, hoboy or german flute [vol. 2 & 3] (1769?)
Handel's Songs Selected from his Oratorios for the harpsicord, voice, hoboy or german flute. Vol. I[-V]. [Chant et basse continue] (1749-1759)
Handel's Water music adapted for the harpsicord or organ (1769?)
Händels Oratorium Judas Maccabäus nach Mozarts Bearbeitung im Clavier-Auszuge von Ludwig Hellwig... (1820)
Handles concerto for the piano forte (1800?)
Happy, happy pair [pour 1 voix & bc, extrait de Alexander's Feast] (1800?)
He layeth the beams [air 1 voix & instr] (1800?)
He layeth the beams [air pour 1 voix & instr] (1800?)
He shall feed his flock [extrait du Messie, pr 1 v. & b.].. (1800?)
He shall feed his flock... [air à 1 v. & instr., bc. extrait du Messie] (1800?)
He was brought as a lamb to the slaughter for the piano forte as, sung by Mr Bartleman & Mr Denman, at Covent Garden oratorio's... (1800?)
He was despised [air à 1 v. & bc.] in the Messiah... (1800?)
He was despised [pr 1 v. & instr. Extrait du Messie] (1800?)
He was eyes unto the blind, sung by Mrs Billington, in the oratorio's at the theatre royal Covent garden... (1800?)
Hercules an oratorio in score composed in the year 1744... (1789?-1797?)
Hercules in score... (1745)
Hercules... (1745-1770)
Hide me from day's garish eye, with an accompaniment for the piano forte from l'Allegro il Penseroso... (1800?)
Holy holy lord [air pr 1 v. & bc.], sung by Mme Mara... (1800?)
How beautifull are the feet [air à 1 v. & bc. extrait du Messie] (1800?)
How vain is man [air à 1 v. & bc. extrait de Judas Macchabée] (1800?)
I know that my redeemer liveth from the Messiah... [air à 1 v. & bc.] (1800?)
I like the am'rous youth..., sung by Mrs Clive, in the comedy call'd the Universal Passion... (1737?)
Il convito d'Alessandro (1810?-1838?)
Il convito d'Alessandro // Musica // di Haendel (1768?-1800?)
Il convito D'Alessandro // musique de Handel (1768?-1800?)
Il Floridante... (1721)
Il Pastor Fido... (1712)
Il Pastor Fido... (1734)
Il Radamisto, opera rapresentata nel regio teatro d'Hay Market... (1720)
Il Radomisto... (1720)
In Atalanta. Overture [pour pf] (1800?)
In Judas Macchabeaus [réduction pr pf.] (1800?)
Intonuit de Coelo Dominus // Mottetto a 4.o // con stromenti // di // Giorgio Federico Händel // dall'Inglese tradotto da Fortunato Santini (1795?-1820?)
Israel in Babylon, an oratorio as perform'd at the Theatre Royal in Covent Garden. The musick selected from the works, compos'd by Mr… (1765)
Israel in Babylon... (1764)
Israel in Egypt, a sacred oratorio in score composed in the year 1738. By G. F. Handel (1791?)
Israel in Egyptan oratorio, in score, as it was originally composed by Mr Handel [...] (1771)
Jehovah crown'd, sung by Miss Tyrer, at the theatre royal Covent garden in the oratorio of Redemption... [pr 1 v. & b.] (1800?)
Jephta, a sacred oratorio in score composed in the year 1751... (1792?)
Jephta, an oratorio in score... with his additional quintetto (1770)
Jephta, an oratorio... (1752)
Jephtha. A sacred oratorio composed... in the year 1750. In this ed. the vocal parts are complete & the instr. ar. compressed and arranged as an…
Jephtha... (1752-1869)
Jephthah, an oratorio... with his additional quintetto for the voice, harpsichord and violin with the chorusses in score (1786?)
Jephthah. An oratorio composed in the year 1751. A new ed. with an accomp. for the pf. or organ arranged by John Bishop
Joseph and his Brethren, an oratorio... (1744)
Joseph, a sacred oratorio in score composed in the year 1746... (1792?)
Joseph... (1747-1757)
Joshua, a sacred oratorio in score composed in the year 1747... (1789)
Joshua, an oratorio in score as it was originally composed... (1775?)
Joshua, an oratorio in score as it was originally composed... (1785?)
Joshua, an oratorio, composed in the year 1747 by G. F. Handel. In this edition the vocal parts are given complete and the most important of the… (1747)
Joshua, an oratorio... (1748)
Joshua... (1748-1846)
Joys divine and holy pleasures, a favorite song, sung by Mr Braham, in the Oratorio's at the Theatre Royal Covent Garden... (1801?)
Joys that are pure... [air à 1 v. & bc. extrait de Samson] (1800?)
Jubilate Deo... for the voice, harpsichord and violin with the chorusses in score as performed at St Paul's cathedral (1784)
Judas Maccabée. Ah malheureux Israel (1810?-1840?)
Judas Macchabaeus // Oratorio in score // As it was originally Performed // Composed by // M.r Handel // with his additional alterations (1747?-1780?)
Est concerné par des oeuvres:
A Series of reflections on the sacred oratorio of the Messiah ; consisting of those select passages of scripture which form the subject of that… (1812)
An Account of the musical performances in Westminster-Abbey and the Pantheon, May 26th, 27th, 29th, and June the 3d and 5th, 1784, in commemoration… (1785)
An account of the musical performances in Westminster-Abbey and the Pantheon, May 26th, 27th, 29th, and June the 3d and 5th, 1784, in commemoration… (1785)
Apotheosis of Handel // The Portrait from an original Picture of Hudson's in the possession of Dr Arnold. : estampe (1787)
For D.r Arnold's edition oh Handel's Works // From the Statue in Wauxhall Gardens (1789)
Georg Friedrich Haendel (1760?)
Georg Friedrich Haendel (1760?)
Georg Friedrich Haendel (1775?)
Georg Friedrich Haendel (1790?)
Georg Friedrich Haendel (1815)
Georg Friedrich Haendel (1820?)
Georg Friedrich Haendel (1820?)
Georg Friedrich Haendel (1820?)
Georg Friedrich Haendel (1820?)
Georg Friedrich Haendel : huile sur bois (19)
George Frederic // Handel Esq.r : estampe (1750?)
Haendel's Denkmal in der Westmünster-Abtey : estampe (1785)
Handel (1784)
Handel : estampe
I am my self alone // The Charming Brute : estampe (1754)
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