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William Hogarth (1697-1764)

Données de base

Type de notice: PersonneNom et dates: William Hogarth (1697-1764)Lieu de naissance: LondresLieu de décès: LondresBibliothèque nationale de France: Notice n^o 12191248, https://catalogue.bnf.fr/ark:/12148/cb121912488ISNI: Notice n^o 0000000120993749, https://isni.org/isni/0000000120993749Source: Catalogue général de la Bibliothèque nationale de France

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Remarques et validité

Remarque du Catalogue général de la Bibliothèque nationale de France:

Peintre et graveur (peinture d'histoire, portraits, scènes de genre).

Mentions dans d'autres contenus

Auteur d'oeuvres:

/ précédée de la Vie de ce peintre : destinee a fixer les idées vagues qu'on a du gout (1805)

A Midnight Modern Conversation : [estampe] (1732-1760)

A Modern Midnight Conversation : [estampe] (1732-1742)

A rake's Progress (1735)

ANALYSIS of BEAUTY Plate I : [estampe] (1753)

ANALYSIS of BEAUTY. Plate II : [estampe] (1753)

CREDULITY, SUPERSTITION and FANATICISM : [estampe] (1762)

Debates on Palmistry, / From an Original Sketch in Oil by Hogarth, in the Possession of M.r Sam.l Ireland : [estampe] (1782)

Die Werke... Oeuvres de William Hogarth en gravures en taille-douce, accompagnées d'un texte explicatif, moral et satyrique

Geschichte des Thomas Jones eines Findelkindes. Erster [-sechster] Band. Aus dem Englischen (1786-1788)

John Wilkes Esq.r. : [estampe] (1763)

Les Satyres (1768)

M. GARRICK IN THE CHARACTER of RICHARD the 3.d : [estampe] (1746)

Marriage A-la-Mode : Plate II (1745)

Marriage A-la-Mode : Plate IV (1745)

Marriage A-la-mode : [estampe]. Plate I (1745)

Marriage A-la-Mode : [estampe]. Plate III (1745)

Marriage A-la-Mode : [estampe]. Plate V (1745)

Marriage A-la-Mode : [estampe]. Plate VI (1745)

ROYAL MASQUERADE Somerset House. : [estampe] (1804)

Sarah Malclom [...] : [estampe] (1732-1733)

Sarah Malcolm (...) : [estampe] (1732-1733)

Sganarelle ou Le cocu imaginaire, comedie. Par monsieur Moliere. The cuckold in conceit. A comedy. From the French of Moliere (1732)

Simon Lord Lovat : [estampe] (1746)

Strolling actresses dressing in a barn : [estampe] (1738)

T. Morell, S.T.P.-S.S.A. (1763?)

TAILPIECE. THE BATHOS. : [estampe] (1764)

The Analysis of beauty, written with a view of fixing the fluctuating ideas of taste, by William Hogarth (1753)

THE BRUISER : [estampe] (1763)

The BUTIFYER. A Touch upon The Times Plate I : [estampe] (1762)

The Company of Undertakers : [estampe] (1736-1737)

The Company of Undertakers : [estampe] (1736-1737)

THE DISTREST POET : [estampe] (1740)

THE ENRAGED MUSICIAN : [estampe] (1741)

The five orders of PERRIWIGS : [estampe] (1761)

The Genuine works of William Hogarth with biographical anecdotes, by John Nichols,... and the late George Steavens,... in three volumes. Volume III…

The Good Samaritan. // Engraved from the Original Picture, Painted by William Hogarth Esq.r // on the Stair Case in S.t Bartholomew's Hospital… (1772)

The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4 : [estampe] (1792)

The mystery of masonry brought to light by the Gormagons : [estampe] (1745?-1794?)

The mystery of masonry brought to light by the Gormagons : [estampe] (1745?-1794?)

The Original works of William Hogarth (1790)

THE POLITICAL CLYSTER : [The Punishment inflicted on Lemuel Gulliver] (1757-1768)

The Times Plate I : [estampe] (1762)

The Times Plate I : [estampe] (1762)

William Hogarth. 1764 (1730-1764)

Zergliederung der Schönheit, die schwankenden Begriffe von dem Geschmack festzusetzen, geschrieben von Wilhelm Hogarth. Aus dem Englischen übersetzt… (1754)

[A harlot's progress, Plate I] : [estampe] (1732)

[A harlot's progress] : Plate 2 (1732)

[A harlot's progress] : Plate 3 (1732)

[A harlot's progress] : Plate 4 (1732)

[A harlot's progress] : Plate 5 (1732)

[A harlot's progress] : Plate 6 (1732)

[A harlot's progress] : [estampe] (1732)

[A Modern Midnight Conversation] : [estampe]

[A rake's progress : the Arrest] : Plate. 4 (1735)

[A rake's progress : the Gaming House] : Plate 6 (1735)

[A rake's progress : the Heir] : Plate. I (1735)

[A rake's progress : the Levee] : Plate . 2.d (1735)

[A rake's Progress : the Mad House] : [plate 8] (1735)

[A rake's progress : the Marriage] : Plate 5 (1735)

[A rake's progress : the Orgy] : Plate 3 (1735)

[A rake's progress : the Prison] : Plate 7 (1735)

[A rake's progress] : [estampe] (1768)

[A woman swearing a child to a grave citi zen] : [estampe] (1730-1765)

[Beer Street and Gin Lane] : Beer Street (1751)

[Beer Street and Gin Lane] : GIN LANE (1751)

[Before and after] : [After] (1736)

[Before and After] : [Before] (1736)

[Bishop Hoadly] : [estampe] (1743)

[Burning the Rumps at Temple Bar] : [Hudibras grand format] (1726)

[Characters and Caricaturas] : [estampe] (1743)

[Columbus Breaking the Egg] : [estampe] (1753)

[Four prints of an election] : [An election entertainment] (1755)

[Four prints of an election] : [Pl. 2, Canvassing for votes] (1757)

[Four prints of an election] : [Pl. 3, The polling] (1758)

[Four prints of an election] : [Pl. 4, Chairing the members] (1758)

[Hogarth painting the Comic Muse] : [estampe] (1758)

[Hudibras and the Skimmington] : [estampe] (1726?)

[Hudibras and the Skimmington] : [Hudibras grand format] (1726)

[Hudibras catechized] : [Hudibras grand format] (1726)

[Hudibras grand format] : [Hudibras and Sidrophel] (1726)

[Hudibras grand format] : [Hudibras and the Lawyer] (1726)

[Hudibras in tribulation] : [Hudibras grand format] (1726)

[Hudibras sallying forth] : [Hudibras grand format] (1726)

[Hudibras triumphant] : [Hudibras grand format] (1726)

[Hudibras vanquished by Trulla] : [Hudibras grand format] (1726)

[Hudibras'first adventure] : [Hudibras grand format] (1726)

[Hudibras, série grand format] : [frontispiece] (1726)

[Illustrations de Voyages du Sr. A. de la Motraye en Europe, Asie et Afrique] (1727)

[Industry and Idleness] : Plate I/The Fellow 'Prentices at their Looms (1747)

[Industry and Idleness] : [Pl. 10, The industrious 'prentice aldermanof London, the idle one brought before him & impeached by his… (1747)

[Industry and Idleness] : [Pl. 11, The idle 'prentice executed at Tyburn] (1747)

[Industry and Idleness] : [Pl. 12, The industrious 'prentice Lord Mayor of London] (1747)

[Industry and Idleness] : [Pl. 2, The industrious 'prentice performing the duty of a christian] (1747)

[Industry and Idleness] : [Pl. 3, The idle 'prentice at play in the church yard] (1747)

[Industry and Idleness] : [Pl. 4, The industrious 'prentice a favorite and entrusted by his master] (1747)

[Industry and Idleness] : [Pl. 5, The idle 'prentice turned away and sent to sea] (1747)

[Industry and Idleness] : [Pl. 6, The industrious 'prentice out of his time and married to his master's daughter] (1747)

[Industry and Idleness] : [Pl. 8, The industrious 'prentice grown rich and sheriff of London] (1747)

[Industry and Idleness] : [Pl. 9, The idle 'prentice betrayed by his whore and taken in a night cellar whith his accomplice] (1747)

[Industry and Idleness] : [Pl.7, The idle 'prentice returned from seaand in a garret with a common prostitute] (1747)

[Lord Lovat] : [estampe] (1746?)

[Masquerades and Operas] : [estampe] (1724)

[Masquerades and Operas] : [estampe] (1724)

[Moses brought to Pharaoh's daughter] : [estampe] (1762)

[Paul before Felix Burlesqued] : [estampe] (1751)

[Paul before Felix] : [estampe] (1759)

[Paul before Felix] : [estampe] (1762)

[Recueil. Oeuvre de William Hogarth] : [estampe] (1733-1764)

[Southwark fair] : [estampe] (1733)

[The Bench] : [estampe] (1758)

[The Cockpit] : [estampe] (1759)

[The committee] : [Hudibras grand format] (1726)

[The four stages of cruelty] : CRUELTY IN PERFECTION (1751)

[The four stages of cruelty] : FIRST STAGE OF CRUELTY (1751)

[The four stages of cruelty] : SECOND STAGE OF CRUELTY (1751)

[The four stages of cruelty] : THE REWARD OF CRUELTY (1751)

[The four times of the day] : EVENING (1738)

[The four times of the day] : Evening La Sorée (sic) (1740)

[The four times of the day] : MORNING (1738)

[The four times of the day] : Morning (1740)

[The four times of the day] : NIGHT (1738)

[The four times of the day] : Night. La Nuit (1740)

[The four times of the day] : NOON (1738)

[The four times of the day] : Noon Le Midi (1740)

[The Gate of Calais, or the Roast Beef of Old England] : [estampe] (1749)

[The gate of Calais, or the roast beef of old England] : [estampe] (1768)

[The invasion] : [Pl.2, England] (1756)

[The invasion] : [The invasion, Pl. 1, France] (1756)

[The Laughing Audience] : [estampe] (1733?-1737?)

[The march to Finchley] : [estampe] (1750)

[The sleeping congregation] : [estampe] (1736)

[The Stage Coach, or the Country Inn Yard] : [estampe] (1747)

[The stage-coach, or the country inn yard] : [estampe] (1768)

[Time smoking a picture] : [estampe] (1761)