Victor Schoelcher (1804-1893)

Données de base

Type de notice: PersonneNom et dates: Victor Schoelcher (1804-1893)Lieu de naissance: ParisLieu de décès: Houilles (Yvelines)Bibliothèque nationale de France: Notice no 11924100, https://catalogue.bnf.fr/ark:/12148/cb11924100hISNI: Notice no 000000012130954X, https://isni.org/isni/000000012130954XSource: Catalogue général de la Bibliothèque nationale de France

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Remarques et validité

Remarque du Catalogue général de la Bibliothèque nationale de France:
Homme politique.

Mentions dans d'autres contenus

Auteur d'oeuvres:
"A song. The music by Mr. Handel. 1745" [pour une voix et basse continue]
"A voi torno", à 1 voix et basse continue
"Admetus, an opera... 1727" (1731?)
"Ah, che pur troppo" pour 1 voix et basse continue
"Alexander", an opera... (1726)
"Allor ch'io dissi" pour 1 voix et basse continue
"Almira. Copié sur une copie de la main de Matheson qui est à la bibliothèque de Berlin". Opéra en 3 actes. Texte allemand
"An account of the life of G. F. Handel"
"An answer to Collins Complaint, the tune by Mr. Hendell. 1716" [pour une voix ou flute sans accompagnement]
"Angelico splendor rischiavi". Air à 1 voix, 2 instruments et basse continue
"Antigono. Musica del signor D. Giovanni Paisiello,..."
"Aure soavi e lieti", cantate à 1 voix et basse continue
"Biographie de G. F. Händel avec un catalogue de ses ouvrages d'exécution et une critique, traduite et augmentée de quelques remarques...…
"Cantata "Bella ma ritrosetta". de Handel" suivi de "Oh quanto godo", à 1 voix et basse continue
"Cantata "Fra le fiamme", à 1 voix et basse continue, avec instruments
"Cantata 23. Lilla, vedi quel colle" pour 1 voix et basse continue
"Cantata 9na Olinto, pastore. - Febro, fiume. - Gloria" pour 1 voix et basse continue avec instruments
"Cantata : "Parti l'idolo mio", à 1 voix et basse continue
"Cantata : Del bell'Idolo mio", à 1 voix et basse continue
"Cantata a due. Apollo e Dafne", à 2 voix avec instruments
"Cantata a Voce sola con Oboe". Avec basse continue : "Mi palpita il cor"
"Cantata a voce solo con Stromenti"
"Cantata Amindo e Fillide "Arresta, arresta il passo, Ninfa". With accompaniments
"Cantata dei Fedel" à 1 voix et basse continue avec instruments
"Cantata Del Signor Frederico Hendel." A 1 voix et basse continue
"Cantata Spagnuola, a voce Sola e chitarra"
"Cantata. "Siete rose ruggiadose", pour 1 voix et basse continue
"Cantata. - Nell'africane selve", à 1 voix et basse continue
"Capricio Pour le Clavecin, composée [sic] Par Monsieur Hendel. Opera terza"
"Cara di questo cor". Air à 1 voix, 3 instruments et basse continue
"Chi rapila pace", cantate à 1 voix et basse continue
"Chor der Jünger" de Saul
"Clori Degl'occhi miei", Cantate à 1 voix et basse continue. [HWV 91]
"Clori, clori, ove sei ?", cantate à 1 voix et basse continue. [HWV 93]
"Collection d'airs de psaumes à l'usage de l'Eglise anglaise par William Cross. Psalm 104. Handel"
"Con lacrime si belle". Air à 1 voix, 2 instruments et basse continue
"Con lacrime si belle". Air à 1 voix, 3 instruments et basse continue
"Da sete ardente" Cantata à 1 voix et basse continue
"Dalla guerra amoroso" cantate à 1 voix et basse continue
"Dialogum Jephtae"
"Dite mie piante", cantate à 1 voix et basse continue
"Dixit Dominus - et Gloria." Pour soli, chœur et orchestre
"Dolce bocca soave in te nasce". Récitatif extrait de la cantate "Siete rose rugiadose"
"Dolce pur d'amor", Cantate à 1 voix et basse continue. [HWV 109]
"E gia stanca l'alma". Air à 1 voix, 3 instruments et basse continue
"E gia stanca val". Air à 1 voix, 2 instruments et basse continue
"E partirai mia vita ?" cantate à 1 voix et basse continue. [HWV 111]
"Esther, oratorio en trois divisions par G. F. Haendel... avec un appendice, publié par Jules Jos. Maier..."
"Fantasie Pour le Clavecin, composée Par Monsieur Hendel, Opera quinta"
"Fear he re doubles" set to musick by Mr. Handell [pour deux voix sans accompagnement] (1762)
"Figli del mesto cor" Cantate à 1 voix et basse continue
"Fiumicel che s'ode appena". Air à 1 voix, violono, viole, flutes et cor en partition
"For ever let his sacred praise". Chœur à 4 voix
"Forse sara crudele". Air à 1 voix et 3 instruments en partition
"Foundling hospital Anthem" pour soli, chœur et orchestre
"Fra tante pene", Cantate à 1 voix et basse continue
"G. F. Händel par Frédéric Chrysander"
"Genserico. Fragments d'un Opera qui ne fut jamais achevé, copiés sur les originaux de Handel qui sont à Fitzwilliam Museum de Cambridge…
"Georg Friedrich Händels Jugend"
"German Cantatas transcribed and corrected from the original ms. by M. Rophins Lacy"
"Hallelujah amen". Air à 1 voix et basse continue
"Handel and Scarlatti. Handel's Suites de Pièces edited by Moscheles in two books"
"Handels Forest Music"
"Hope, hope a pure and lasting treasure". Air à 1 voix, 1 instrument et basse continue
"Hunting song" [à 1 voix et basse continue]
"Impari d'el mio core". Air à 1 voix et basse continue
"Instrumentation du Chœur Left up your gats. Page 118. Transcribed from Handel's Original Manuscript By M. Rophino Lacy"
"Irene idolo mio" cantate à 1 voix et basse continue
"Knaresborough, extrait de Choral Harmony par the Reverend Peter Maurice" [chœur à 4 voix]
"La Bianca rosa. Cantata". A 1 voix et basse continue
"La Bianca rosa. Cantata". A 1 voix et basse continue
"La jeunesse de G. F. Händel, décrite par J. F. Reichardt,... Berlin, 1785"
"La Solitudine. Cantata." A 1 voix et basse continue
"Laudate Pueri" pour soli, chœur et orchestre
"Le Messie" [de Haendel]
"Lungi dal mio bel nume, Cantato a voce sola Del Sig.r Giorgio Federico Hendel...". [HWV 127]
"Lungi, da voi Siete" cantate à 1 voix et basse continue
"Lungi, lungi, da me" cantate à 1 voix et basse continue. [HWV 125]
"Lungi, lungi, n'ando Fileno" cantate à 1 voix et basse continue
"Manca pur quanto sai" cantate à 1 voix et basse continue
"Marche" [pour 3 instruments]
"Melodio : Befiehl du deine Wege. A German church tune, comp. by Hasler"
"Messia und Händel par le professeur Bischoff"
"Mi palpita il cor" Cantate à 1 voix et basse continue
"Mi palpita il cor" Cantate à 1 voix et basse continue
"Mi palpita il cor" Cantate à 1 voix et basse continue
"Mi palpita il cor" pour 1 voix et basse continue, avec instruments
"Mi ri do di veder". Air à 1 voix et basse continue
"Minzognere, speranza", Cantate à 1 voix et basse continue
"Motetto : Silete venti" pour une voix, hautbois, 2 violon, alto et basse continue
"Musette" [pour 5 instruments]
"My God my Soul" pour 1 voix et basse continue, avec instruments, faisant suite à : "The Foundling hospital Anthem"
"Ne tuoi lumi, O bella", Cantate à 1 voix et basse continue
"Nel dolce tempo" Cantate à 1 voix et basse continue
"Nel passar d'un laccio". Air à 1 voix
"Nella stagion", Cantate à 1 voix et basse continue
"Nice, che fa ?". Cantate à 1 voix et basse continue
"Non sò se avrai ma bene", cantate à 1 voix et basse continue
"Non sospirar", Cantate à 1 voix et basse continue
"Notes biographiques et critiques sur Steffani, Keiser, Mattheson, Telemann et Händel"
"O Lucenti ô Sereni occhi", Cantate à 1 voix et basse continue
"O, Del Ciel Maria Regina", Cantate à 1 voix et basse continue, avec instruments
"Occhi miei", cantate à 1 voix et basse continue
"Palma se la palma vuol aver". Air à 1 voix, 3 instruments et basse continue
"Pastor fido"
"Pensieri notturni di Filli. Cantata 8a a voce Sola con flauto di G. F. Hendel" avec basse continue
"Poi che guiraro", Cantate à 1 voix et basse continue
"Preludio et Allegro Pour le Clavecin, Composée [sic] Par Monsieur Hendel, Opera quarta"
"Put thy trust in God" pour chœur et orchestre, en partition, faisant suite à : "The Foundling hospital Anthem"
"Qual or, Grudele si", Cantate à 1 voix et basse continue
"Qual'or l'egre pupille" Cantate à 1 voix et basse continue
"Radamistus", an opera as it is perform'd at the theatre royal in Covent Garden... (1762?)
"Richard I", an opera... (1730?)
"Ritorna adesso amor". Air à 1 voix, 4 instruments et basse continue extr. de l'acte II, scène XI de "Pastor fido"
"Roderigo, opera in 3 atti"
"Rondinelle a cui rapita". Air à 1 voix, violons, viole, flutes et cor en partition
"Salve Regina a Canto solo con Violini, del Sig.r G. F. Hendel"
"San Giovanni Battista, oratorio del signor Stradella"
"San Guglielmo d'Aquitanio, oratorio en 3 actes. Pergolesi. 1731"
"Sarai contenta undi", Cantate à 1 voix et basse continue
"Sarei troppo felice", Cantate à 1 voix et basse continue
"Se d'amore amanti siete". Air à 1 voix, 4 instruments et basse continue
"Se intende si poco". Air à 1 voix et 3 instruments en partition
"Se pari è la tua" Cantate à 1 voix et basse continue
"Se vicor dar ten vuoi". Air à 1 voix, 3 instruments et basse continue
"Se, per fatal destino", Cantate à 1 voix et basse continue
"Second morning. Psalm 57, supposed to be Handel's"
"Sentirsi dire dal caro bene". Air à 1 voix et 3 instruments en partition
"Serenata a 3 con stromenti del signor Alessandro Stradella"
"Sinfonia della Cantata" Ah, Crudel. "Composta a Roma per il Sig.r Marchese Ruspoli. Da G. F. Handel. Transcr. & corrected from…
"Son gelsomino" Cantate à 1 voix et basse continue
"Sonata Pour le clavecin. Composée par Monsieur Hendel. Opera seconda"
"Stelle perfide", Cantate à 1 voix et basse continue
"Talor se il vento freme". Air à 1 voix, violons, viole, hautbois et cors en partition
"The Dream. The Music by Mr. Handel. 1730" [pour voix ou flute et basse continue]
"The dying christian to his soul. A celebrated ode by Pope for 3 voices"
"The life of G. F. Handel... lately published extracted from the "London Chronical" dated thursday the 12th june 1760"
"The people will tell" pour 2 voix et basse continue, avec instruments, en partition, extrait de : "The Foundling hospital Anthem"
"The righteous Lord" pour 1 voix et basse continue avec instruments, en partition, faisant suite à : "The Foundling hospital Anthem…
"Their reward also" pour 2 voix et Basse Continue, avec instruments, en partition, extrait de "The Foundling hospital Anthem"
"Torna il core", Cantate à 1 voix et basse continue
"Tradita sprezzata che piango". Air à 1 voix, violons, viole, hautbois et cors en partition
"Udite il mio consiglio", Cantate à 1 voix et basse continue
"Un sospir", Cantate à 1 voix et basse continue
"Vedendo amor", Cantate à 1 voix et basse continue
"Voi che le mie vicende". Air à 1 voix, violons, viole, hautbois et cors en partition
"Vonne voglia ad amore" Cantate à 1 voix et basse continue
"Vorrei spiegar l'affanno". Air à 1 voix, violons, viole, hautbois et cors en partition
"Zeffiretto, arresta" Cantate à 1 voix et basse continue
2 extraits de British Musical Miscellany (1735)
2d book Apollo's feast or the harmony of the Opera stage being a well chosen collection of the favourite and most celebrated songs out of the… (1734?)
3d book. Apollo's feast or the harmony of the opera stage being a well chosen collection of the favourite and most celebrated songs out of the… (1729)
A 2d collection of the favourite songs in the opera of Tamerlane (1725?)
A 2d collection of the most celebrated songs in the opera of Alexander... (1726)
A Christmas Tale... (1774)
A collection of glees and catches for three and four voices [et b.] As they are performed at the Noblemen and Gentlemen Catch Club. Never before… (1768)
A collection of the most celebrated songs in the opera of Alexander... (1726)
A concerto for the organ, harpsichord or piano forte... Ist set, n° 4 (1800?)
A Favorite ground with variations for the piano forte... (1800?)
A favourite song set by Mr. Handell [pour une voix ou flute et basse] (1762)
A fourth Grand Selection of sacred music from the works of Handel... (1795)
A fourth set of favourite bass songs collected from the late oratorios... These songs are proper for two violoncellos... (1769)
A fourth set of six grand chorusses from Mr Handel's oratorios adapted for the organ or harpsichord [vol. IV] (1785)
A grand collection of celebrated english songs introduced in the late oratorios... (1758)
A grand Jubilate composed in the year 1713 for the peace of Utrecht... (1788)
A grand selection from the works of Handel, Purcell, Arne, Linley, Webbe, Mozart, etc. now performing at the King's Theatre in the Hay-Market… (1793)
A grand selection of sacred music from the creation, Saul, Jephtha, Judas Maccabaeus, Esther, Israel in Egypt and the Redemption... (1811)
A grand selection of sacred music from the most favorite works of Handel, Haydn, Bach, Arne, and Purcell... (1803)
A grand selection of sacred music from the works of Handel as performed at the Theatre Royal, Covent Garden [Livret] (1798)
A grand selection of sacred music from the works of Handel as performed... at the Theatre Royal, Covent-Garden [Livret] (1795)
A grand selection of sacred music from the works of Handel as performed... at the Theatre Royal, Covent-Garden [Livret] (1796)
A grand selection of sacred music from the works of Handel as performed... at the Theatre Royal, Covent-Garden [Livret] (1797)
A grand selection of sacred music from the works of Handel as performed... at the Theatre Royal, Covent-Garden [Livret] (1797)
A grand selection of sacred music, in which will be introduced the Grand Dettingen Te Deum... and a grand Miscellaneous act chiefly from the most… (1801)
A grand selection of sacred music, principally from the works of Handel [Livret] (1792)
A great Te Deum composed in the year 1713 for the peace of Utrech... (1788)
A hunting song for 2 voices or german flutes... (1750?)
A new edition of Handel's concerto for the organ or harpsichord (1800?)
A new edition of six concertos for the harpsichord or organ... (1776)
A new edition of six concertos for the harpsichord or organ... (1785?)
A new grand selection of sacred music principal by selected from the great and favourite works of Mr Handel... [Livret] (1802)
A new occasional oratorio... (1746)
A performance of musick, for the benefit of the hospital for the maintenance and education of exposed and deserted young children, on Thursday the… (1749)
A school for fathers... (1773)
A seasonable Apology for Mr H[eideg]g[e]r proving the usefulness and antiquity of Masquerading... (1724)
A second collection of the most favourite songs in the opera call'd Ariadne, n° IV... (1735?)
A second collection of the most favourite songs in the opera call'd Sosarmes... (1732)
A second set of favourite bass songs collected from the late oratorios... These songs are proper for two violoncellos... (1747)
A Second set of Hindoo Airs with english words, adapted to them by Mrs Opie and harmonized, for one, two, three, and four voices (or for a single… (1800?)
A Second set of lessons for the harpsichord... (1798?)
A Second set of six concertos for the harpsichord or organ... (1740)
A second set of XXIV Overtures for violins etc. in eight parts from the operas and oratorios of Samson, Messiah, Saul, Deidamia, Hymen, Parnasso in… (1758?)
A Select overture in 8 parts... for the Deserteur (1800?)
A short Te Deum in score composed for her late Majesty queen Caroline in the year 1737... (1788)
A song made for the gentlemen volunteers of the City of London set to musick by Mr. Handel [pour une voix et basse]
A song made for the Gentlemen volunteers of the City of London... (1745)
A song on the victory over the Rebels by his royal Highness the Duke of Cumberland. The words by M. Lockman... (1750?)
A third grand selection of sacred music from the works of Handel as performed at the Theatre-Royal, Covent-Garden, on friday, march 27, 1789 [Livret] (1789)
A third grand selection of sacred music from the works of Handel as performed at the Theatre-Royal, Covent-Garden, on friday, march 27, 1789 [Livret] (1794)
A third grand selection of sacred music from the works of Handel as performed at the Theatre-Royal, Covent-Garden, on friday, march 27, 1789 [Livret] (1795)
A third set of lessons for the harpsichord... (1793?)
A third set of six concertos for the harpsichord or organ... (1761)
A third set of six concertos for the organ and harpsichord with the instrumental parts for violins, hoboys etc. in 7 parts... opera 7ma (1785?)
A Treatise of musick, speculative, practical and historical, by Alexander Malcolm (1721)
Abel... (1755)
Abimelech... (1769)
Achille in Sciro... (1771)
Achilles in petticoats... (1774)
Acis an Galatea, a serenata composed for the Duke of Chandos in the year 1720... (1788)
Acis and Galatea [ouverture pour pf] (1800?)
Acis and Galatea [overture pr pf.] (1800?)
Acis and Galatea, a mask as it was originally compos'd with the overture, recitativo's, songs, duets & choruses for voices and… (1743)
Acis and Galatea, a mask as it was originally compos'd with the overture, recitativo's, songs, duets & choruses for voices and… (1787?)
Acis and Galatea, a masque... for the voice, harpsichord, and violin... (1784)
Acis and Galatea, a serenade with the recitatives, songs & symphonys... (1739)
Acis and Galatea... (1732)
Acis and Galatea... (1733)
Acis and Galatea... (1755)
Acis and Galatea... (1757)
Acis and Galatea... (1762)
Acis and Galatea... (1764)
Acis and Galatea... (1764)
Acis and Galatea... (1768)
Acis and Galatea... (1773)
Acis and Galatea... (1777)
Acis and Galatea... (1785)
Acis and Galatea... (1787)
Acis and Galatea... for the piano forte with the chorus's in score (1800?)
Adelasia e Aleramo... (1815)
Admeto, re di Tessaglia... (1727)
Admeto, re di Tessaglia... (1731)
Admetus, an opera compos'd by Mr Handel (1727)
Adolfo e Chiara... (1814)
Adrasto... (1792)
Adresse de l'assemblée provinciale de la partie du nord de Saint-Domingue à l'Assemblée nationale. (28 juin 1790) (1790)
Adriano in Sicia... (1771)
Adriano in Siria... (1735)
Adriano in Siria... (1765)
Adriano in Siria... (1790)
Agrippina... (1729)
Airs and Galatea... (1777)
Alcide al Bivio, festa theatrale per le felicissime nozze delle ll. A. A. R. R. l' Arciduca Giuseppe d'Austria e la Principessa Isabella di… (1763)
Alcides, an English opera in score... (1790?)
Alcina, an opera as it is perform'd at the theatre royal in Covent garden... (1737)
Alcina, an opera at it is perform'd at the Theatre Royal in Covent Garden." 1735" Compos'd by Mr Handel (1737)
Alcina... (1735)
Alcina... (1736)
Alessandro nelle Indie... (1779)
Alessandro Severo... (1738)
Alessandro... (1726)
Alessandro... (1732)
Alexander Balus, an oratorio in score composed in the year 1747... (1795?)
Alexander Balus, an oratorio... (1748)
Alexander Balus... (1748-1768)
Alexander's feast or the power of music, an ode, the words by Mr Dryden..., to which is added his additional duet (1790?)
Alexander's feast or the power of musick. An ode, wrote in honour of St Cecilia by Mr Dryden..., with the recitativo's, songs, symphonys… (1739)
Alexander's feast or the power of musick. An ode, wrote in honour of St Cecilia by Mr Dryden..., with the recitativo's, songs, symphonys… (1769)
Alexander's feast or the power of musick. An ode, wrote in honour of St Cecilia by Mr Dryden..., with the recitativo's, songs, symphonys… (1738)
Alexander's feast. An ode on St Cecilia's day, , words by Dryden, the musick composed in the year 1736... (1790)
Alexander's Feast. Overture [pour pf] (1800?)
Alexander's Feast... (1736-1870)
Alexander's Feast... (1738-1866)
Alexandre Balus... (1748)
Alfredo il grande... (1820)
Almena... (1764)
Alsinda... (1785)
Amadis of Gaul... (1715)
Amor vuol gioventù, dramma giocoso per musica in due atti... (1809)
An account of the institution and progress of the Academy of ancient music with a comparative view of the music of the past and present times by a… (1770)
An act for regulating the Hospital founded by Mary Mercer, spinster (1750)
An Ode ; on occasion of Mr. Handel's great Te Deum, at the Feast of the sons of the Clergy, on feb. I, 1732 (1753)
An Ode in honour of His Royal Highness the prince of Wale's birth-day... The words by the Rev. William Scott,... The music by Mr. Arnold (1769)
An Ode or Serenata for the birth day of Queen Ann composed in the year 1713... (1789)
An Ode to Mr. Handel (1745)
Analyse de l'opera "Lothario"
Analyse de l'opera Tolomeo, re d'Egitto
Angels ever bright & fair, sung by Mme Mara and Mrs Billington, [air à 1 v. & b. extrait de Theodora] (1800?)
Anthem for the Coronation of George II.d composed in the year 1727... (1795?)
Anthem for the Coronation of George IId composed in the year 1727 by G. F. Handel (1789-1797?)
Anthem for the coronation of George IId composed in the year 1727... (1795?)
Anthem for the Coronation of George IId, composed in the year 1727 by G. F. Handel (1789-1797?)
Anthem for the Coronation of George IId, composed in the year 1727 by G. F. Handel (1789-1797?)
Anthem for the Funeral of Queen Caroline composed in the year 1737... (1795?)
Anthem for the victory at Dettingen composed in the year 1743... (1795?)
Anthem for the Wedding of Frederick Prince of Wales and the Princess of Saxa-Gotha, compos'd in the year 1736... (1795)
Anthems and other sacred pieces (1799?)
Anthems, for the coronation of King George II, composed in the year 1727, by G. F. Handel. In this edition the vocal parts are given complete and the… (1727)
Antigano... (1767)
Antigona... (1789)
Antioco... (1788)
Apelle e Campaspe... (1796)
Apollo's feast or the Harmony of the opera stage being a well chosen collection of the favourite & most celebrated Songs out of the latest… (1726)
Apollo's feast or the harmony of the opera stage being a well chosen collection of the favourite and most celebrated songs out of latest operas… (1734)
Apollo's feast... Vol. V (1740)
Appolo's feast or the harmony of the opera stage being a well chosen collection of the favourite and most celebrated songs out of the latest… (1750?)
Arbace... (1733)
Arcadia... (1761)
Ariadne in Crete... (1733)
Ariadne in Crete... (1734)
Ariadne in Crete... (1734)
Ariadne, an opera as it is perform'd at the Theatre royal in Covent Garden... (1737)
Ariarate... (1786)
Arie dell'opera di Rinaldo (1711)
Arie dell'opera di Rinaldo (1711)
Ariette (1770?-1800?)
Ariodante... (1734)
Arm, arm ye brave [extrait de Judas. Air pr 1 v. & b.] (1800?)
Armida... (1772)
Arminius, an opera as it is perform'd at the theatre royal in Covent Garden... (1737)
Arminius... (1737)
Art poétique françois. Pour l'instruction des jeunes studieus, et encor peu avancéz en la pöésie françoise (1548)
Artaserse... (1724)
Artaserse... (1772)
Artaserse... (1794)
Artaxerxes... (1734)
Artaxerxes... (1761)
Atalanta, an opera as it is perform'd at the theatre royal in Covent Garden... (1736)
Atalanta... (1736)
Athalia, an oratorio or sacred drama in score, the music composed in the year 1733... (1787)
Athalia... (1756-1822)
Attalo... (1758)
Attila... (1814)
Aurora's Nuptials... (1734)
Banquet of Musick. 6th Book (1692)
Bass songs from all the opera [3e partie] (1754)
Bass songs from all the operas (1743)
Belshazzar a sacred oratorio in score composed in the year 1743... (1787)
Belshazzar, an oratorio in score... (1783)
Belshazzar, an oratorio... (1745)
Belshazzar... (1745-1851)
Berenice, an opera as it is perform'd at the theatre royal in Covent Garden... (1737)
Berenice: drama. Per musica. Da rappresentarsi sopra il Teatro di S. M. B. Berenice : an opera. Set to music. As it is represented at the King's… (1765)
Blest is the man whose constant feet, anthem... [pr 1 v. & bc.] (1800?)
But thou didst not [air à 1 v. & b. extrait du Messie] (1800?)
By Gluck the Author of Orfeo, Alceste & Paride Le Cadi dupé. Acte 1, scène 2, Si votre flamme est trahie (1770?-1800?)
Caio Marzio Cariolano... (1723)
Caio Marzio Coriolano... (1732)
Calfurnia... (1724)
Camilla... (1709)
Cantata // Dell'Excellentissimo Signor d'Antonio // Caputi (1780?-1820?)
Cantates à 1 voix avec instruments et basse continue
Cantates, pour 1 voix, avec instruments
Catalogue ms. des œuvres de Haendel conservées à l'Archivio del Palazzo Pitti de Florence
Celebrated concerto call'd select harmony, adapted for the harpsichord or piano-forte perform'd before their Majesty's at the ancient… (1790?)
Celebrated coronation anthem set for the voice and harpsichord in a manner never before printed (1775?)
Celebrated coronation anthems in score for voices & instruments. Vol. I (1743)
Celebrated Dettingen Te Deum for voices and instruments (1795?)
Celebrated oboe concertos as performed in Westminster abbey at the commemoration adapted for the organ, harpsichord or piano-forte (1785?)
Celebrated vocal duets, composed for the private practice of her Majesty the late queen Caroline, accompanied with the harpsichord or organ never… (1790?)
Celebrated Water musick compleat set for the harpsicord to which is added two favourite minuets with variations for the harpsichord by Geminiani (1743)
Cephale and Procris... (1820)
Charming Cloris set by Mr. Handel [pour une voix et basse] (1737)
Choice psalmes put into musick, for three voices. The most of which may properly enough be sung by any three, with a thorough base. Compos'd by… (1648)
Cimene... (1783)
Clio and Euterpe or British Harmony (1772)
Clio and Euterpe or British Harmony. A Collection of Celebrated Songs and Cantatas... curiously engrav'd with the thoroug Bass for the… (1772)
Clio and Euterpe or British Harmony... (1772)
Clio and Euterpe or British Harmony... (1772)
Come come thou Goddess. A favourite song by Handel in l'Allegro (1800?)
Come thou Goddess with an accompaniment for the piano forte from l'Allegro, il Penseroso... (1800?)
Comfort ye my people [air à 1 v. & b. extrait du Messie] (1800?)
Comfort ye my people... [extrait du Messie. Air pr 1 v. & b.] (1800?)
Concerti grossi con due violini, viola e violoncello di concertino obligati, e due altri violini e basso di concerto grosso... opera terza (1732)
Concerti grossi con due violini, viola e violoncello di concertino obligati, e due altri violini e basso di concerto grosso... opera terza.… (1733)
Concerti grossi con duoi violini e violoncello di concertino obligati e duoi altri violini, viola e basso di concerto grosso ad arbitrio che si… (1740?)
Concerti grossi con duoi violini e violoncello di concertino obligati e duoi altri violini, viola e basso di concerto grosso ad arbitrio che si… (1730?)
Concerts of vocal and instrumental music, as performed at the Music Room, Oxford, from oct. 1807 to oct. 1808... (1808)
Consider fond shepherd [air pour 1 voix & bc, extrait de Acis et Galatea] (1800?)
Coronation Anthem... (1784)
Coronation Anthem... for the voice, harpsichord or pianoforte... (1800?)
Creso... (1777)
Cri d'un honnête homme qui se croit fondé en droit naturel et divin à représenter à la législation françoise les motifs de justice tant… (1769)
Crispo... (1721)
Critica musica d. i. grundrichtige Untersuch und Beurtheilung/Vieler/theilsvorge fassten/theils ein fältigen Meinungen/Argumenten und Einwürffe/so in… (1722)
Cœlia altogether set by Mr. Handel [pour une voix et basse continue] (1746)
David e Bersabea... (1734)
De la nécessité d'adopter l'esclavage en France : 1 ° comme moyen de prospérité pour nos colonies ; 2 ° comme punition pour les coupables… (1797)
Dead march in Saul (1800?)
Dead March in Saul and March in Scipio for the piano forte or harpsichord (1800?)
Dead March in Saul and March in Scipion [pr pf.] (1800?)
Dead march in Saul [réduction pr pf.] (1784?)
Deborah, a sacred oratorio in score composed in the year 1733... (1794?)
Deborah, an oratorio... (1751?)
Deborah... (1744-1854)
Deeper and deeper still as, sung by Mr Harrison, Mr Braham & Mr Incledon, in the oratorios at the Theatre Royal Covent Garden... [pr 1 v. & b… (1800?)
Deidamia, an opera... (1741)
Deidamia... (1741)
Demetrio... (1772)
Demetrius... (1737)
Demofoonte... (1778)
Deux Cantates à 1 voix et instruments
Dove sei, a favorite song from the opera of Rodelinda... also as sung in Redemption adapted to English words Holy, holy (1790?)
Duetti... (1787)
Eight Anthems composed by G. F. Handel esq., as performed at the Chapel Royal Windsor and at His Majesty's Concerts..., arranged for voices with… (1808)
Eight grand chorusses... oratorio of the Messiah, adapted for the organ, harpsichord and voice... (1800?)
Enea e Lavinia... (1779)
Erifile... (1778)
Erlesene Sãtze aus der Opera l'Inganno fedele, bestehend in Sing-Sachen für verschiedene Stimmen mit und ohne Instrumente, nebst einer… (1714)
Esther, a sacred oratorio in score composed in the year 1720... (1794?)
Esther, an oratorio in score... (1783)
Esther, an oratorio... (1751?)
Esther... (1732-1851)
État général de la marine (1802-1851)
European Magazine and London review... (1784)
Ev'ry valley [air à 1 v. & b. extrait du Messie] (1800?)
Every day will I give thanks as, sung by Mr Incledon, at the Oratorios... [pour 1 voix & b] (1800?)
Extrait du Rapport adressé au Directoire exécutif par le citoyen Toussaint-Louverture, général en chef des forces de la république française à Saint-… (1797)
Ezio... (1732)
Ezio... (1764-1765)
Fables de Loqman, surnommé le Sage. Édition arabe, accompagnée d'une traduction française et précédée d'une notice sur ce célèbre fabuliste… (1799)
Faramondo, an opera as it is perform'd at the King's theatre in the Hay-Market... (1738)
Father of heaven... [pr 1 v. & b. extrait de Judas] (1800?)
Festa d'Imeneo... (1736)
Fire and Water music... for the german flute (1786?)
Flavio re de Longobardi... (1732)
Flavio, re de Longobardi... (1723)
Flavius, an opera as it was perform'd at the King's theatre for the Royal Academy... Publish'd by the author (1723)
Floridant, an opera as it was perform'd at the Kings theatre for the Royal academy... publish'd by the author (1722)
For unto us a child is born [tiré du] Messiah [pr 1 v. & b.] (1800?)
From mighty kings [pr 1 v. & b. extrait de Judas] (1800?)
Funeral Anthem... (1741)
Gasconado the Great : a tragi-comi, political, whimsical opera, as it was intended for the entertainment of the public, but rejected by the managers… (1759)
Gentle airs, a favorite song [extrait d'Athalia et Total eclipse, extrait de Samson]... (1790?)
Gentleman's Magazine... (1732-1733)
George Friedrich Handels Stammbaum
Germondo... (1776)
Giulio Cesare e Cleopatra... (1733)
Giulio Cesare in Egitto... (1724)
Giulio Cesare in Egitto... (1787)
Giulio Cesare, opera in tre atti rappresentata al teatro del Re nel mercato del fieno a Londra nell'anno 1723... (1789)
Giunio Bruto... (1781)
Gli Amanti alla prova... (1796)
Gli Amanti gelosi... (1753)
Gli Antiquari in Palmira... (1780)
Gli Artigiani... (1795)
Gli Schiavi per amore... (1787)
Glory to God in the highest... [extrait du Messie, pr 1 v. & b.] (1800?)
God of our father [extrait de Samson pr 1 v. & b.] (1800?)
Grand Dettingen Te Deum in score for voices and instruments as performed at the Cathedral-Church of St Paul, vol. IV (1763)
Grand Dettingen Te Deum in score for voices and instruments as performed at the Cathedral-Church of St Paul, vol. IV (1769)
Griselda... (1733)
Guardian Angels set by Mr. Handel [pour une voix ou flute et clavier] (1745)
H. Savilius. In Taciti historias Agricolae vitam, et commentarius de militia romana (1649)
Haendel's favourite minuets from his operas & oratorios with those made for the balls of court for the harpsichord, german flute, violin or… (1762)
Haendel's songs selected from his latest oratorios for concerts for violins etc. in six parts. The song parts with the words for a voice, a… (1759)
Hallelujah chorus [extrait du Messie, pr v. & b.]... (1800?)
Hamlet, an opera... (1712)
Handel's Celebrated Coronation Anthems in score for voices & instruments. Vol. I (1770?)
Handel's celebrated Messiah, abridged and adapted for the piano forte with an accompaniment for a flute or violin, by J. Mazzinghi (1802)
Handel's most celebrated aires, collected from his late operas with their symphonys & accompanyments : made concertos for violins etc. in… (1736)
Händel's Oratorium der Messias im Clavierauszuge von C. F. G. Schwencke mit deutschen Texte von Klopstock und Ebeling (1809)
Handel's overtures from all his operas & oratorios for violins & in 8 parts... (1760)
Handel's overtures from all his operas & oratorios for violins in four parts... (1785?)
Handel's overtures from all his operas and oratorios set for the harpsicord or organ... (1760)
Handel's overtures in score from all his operas and oratorios... (1740)
Handel's sixty overtures from all his operas & oratorio for violins in 8 parts... (1758?)
Handel's songs selected from his latest oratorios for the harpsichord, voice, hoboy or german flute... [vol. 3] (1769?)
Handel's songs selected from his most celebrated operas for concerts, for violins & in six parts. The song part with the words, for a voice… (1761)
Handel's songs selected from his oratorios for the harpsichord, voice, hoboy or german flute (1755-1759)
Handel's songs selected from his oratorios for the harpsichord, voice, hoboy or german flute [vol. 2 & 3] (1769?)
Handel's Water music adapted for the harpsicord or organ (1769?)
Handles concerto for the piano forte (1800?)
Happy, happy pair [pour 1 voix & bc, extrait de Alexander's Feast] (1800?)
Harlequin-Horace : or the art of Modern poetry... (1735)
Harmonia sacra or select anthems in score for one, two and three voices... (1730?)
He layeth the beams [air 1 voix & instr] (1800?)
He layeth the beams [air pour 1 voix & instr] (1800?)
He shall feed his flock [extrait du Messie, pr 1 v. & b.].. (1800?)
He shall feed his flock... [air à 1 v. & instr., bc. extrait du Messie] (1800?)
He was brought as a lamb to the slaughter for the piano forte as, sung by Mr Bartleman & Mr Denman, at Covent Garden oratorio's... (1800?)
He was despised [pr 1 v. & instr. Extrait du Messie] (1800?)
He was eyes unto the blind, sung by Mrs Billington, in the oratorio's at the theatre royal Covent garden... (1800?)
Hercules an oratorio in score composed in the year 1744... (1789?-1797?)
Hercules in score... (1745)
Hercules... (1745-1770)
Hide me from day's garish eye, with an accompaniment for the piano forte from l'Allegro il Penseroso... (1800?)
Holy holy lord [air pr 1 v. & bc.], sung by Mme Mara... (1800?)
How beautifull are the feet [air à 1 v. & bc. extrait du Messie] (1800?)
How vain is man [air à 1 v. & bc. extrait de Judas Macchabée] (1800?)
Hymne au soleil, suivi de plusieurs morceaux du même genre, par l'abbé de Reyrac,... 5e édition (1780)
I know that my redeemer liveth from the Messiah... [air à 1 v. & bc.] (1800?)
I like the am'rous youth..., sung by Mrs Clive, in the comedy call'd the Universal Passion... (1737?)
I Vecchi Burlati... (1783)
I Viaggiatori felici... (1781)
I viaggiatori ridicoli... (1768)
Ifigenia in Aulide... (1735)
Il Cid... (1773)
Il Ciro... (1759)
Il Dario... (1725)
Il Filosofo di campagna... (1769)
Il Floridante... (1721)
Il mondo nella luna... (1760)
Il Pastor Fido... (1712)
Il Pastor Fido... (1734)
Il Radamisto, opera rapresentata nel regio teatro d'Hay Market... (1720)
Il Radamisto... (1720)
Il Radomisto... (1720)
Il Ratto delle sposa... (1768)
Il Trianfo d'amore... (1773)
Il Trionfo d'amore... (1773)
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